Monday, February 25, 2013

The Shroud of Turin: 2.6. The other marks (1): Burns and water stains

This post "2.6. The other marks (1): Burns and water stains" is part 12 of my series, "The Shroud of Turin." As the title indicates, it is about the burn marks from the 1532 fire and water stains from putting out that fire. The previous post was part 11, "2.5. The bloodstains." The series was originally titled, "The Shroud of Jesus?" but I have changed it to "The Shroud of Turin" so that posts in the series are more easily found by a search engine. For further information about this series, see the Contents page (part 1).


THE SHROUD OF TURIN
2. WHAT IS THE SHROUD OF TURIN?
2.6. THE OTHER MARKS (1): BURNS AND WATER STAINS
© Stephen E. Jones

By "other marks" is meant those significant marks on the Shroud of Turin which are not wounds (see "2.4. The wounds") or bloodstains (see "2.5. The Bloodstains"). They are considered below in the order of most to least obvious (not the most to least important).

Burns The most obvious[1] (and no doubt most puzzling to a newcomer to the Shroud) marks on the Shroud are burns from a fire in 1532[2]. A copy of the Shroud painted in 1516 which is held in the Church of St. Gommare, Lierre, Belgium, does not show these burns[3].

[Right: Burns to the Shroud from the 1532 fire (outlined in green): Shroud Scope: Durante 2002 Vertical: Overlays: Burn Holes (1532 A.D.)]

Since 1502 [4] the Shroud had been kept within a silver casket[5], behind an iron grille[6] secured by four locks[7], and set into a wall of the Savoy royal family's Sainte-Chapelle (Holy Chapel) at Chambéry, France[8].


[Above: Sainte-Chapelle, Chambéry, France: Wikipedia.]

On the night of 4 December 1532 a fire broke out in the chapel [9], but the grille's four locks required four different keys: two held by the Duke of Savoy, one by the Duke's counsellor Canon Philibert Lambert[10], and one by the President of the Treasury [11]. As the Shroud would have been destroyed by the time the other keyholders arrived with their keys[12], the Duke's blacksmith[13], Guillaume Pussod, was summoned to force open the grille[14]. If it were not for the courage and strength of this unsung hero the Shroud would have been destroyed[15]. So intense was the heat that the Shroud's silver casket had started to melt[16] but Pussod forced open the grille[17], and with the help of Lambert and two priests, carried the casket to safety[18]. However, a piece of molten silver from the casket's lid fell into the casket[19] and set fire to one edge of the Shroud[20]. After pouring buckets of water into the casket the fire was put out [21]. But it was found that the piece of molten silver had burned itself through one edge of all forty-eight layers[22] in which the Shroud had evidently been folded[23]. Miraculously, however, the image, except for the front shoulders and upper arms[24], was not affected[25].

[Above: Interior of the Sainte-Chapelle, Chambéry as it is today. The hole in the wall (see inset) where the Shroud was kept in a silver casket behind an iron grille from 1502 to 1532, is behind the altar to the left[26].]

And as we shall see in "6.Science and the Shroud," the intense heat generated by the fire, estimated to have been between 200° to 300°C inside the casket[27], and the superheated steam generated by dousing with water the molten silver within the close confines of the Shroud's casket[28], formed a "natural experiment"[29] which provides further evidence that the Shroud image is not a painting[30] nor is it a bas relief or statue powder rubbbing[31] because the image did not run, migrate[32] or change colour as any medieval paint, pigment, dye or powder would have under that very high temperature[33]. This therefore is another problem for the forgery theory[§10].

In 1534, to stabilise the damage to the Shroud, it was sent to Chambéry's convent of Poor Clare nuns[34] where four nuns sewed linen patches over the burns[35] and added a Holland cloth backing[36]. It wasn't until 2002 that the patches and Holland cloth were removed[37] as part of a restoration of the Shroud[38].

Water stains After the burn marks the most prominent marks on the Shroud are water stains[39]. These are from the water poured onto the burning Shroud in its casket on the night of the 1532 fire[21] (see above). Iron oxide particles from the retting process of making flax were found to have migrated to the edges of the water stains[40] but no paint, pigment, dye or powder did[41]. So this is yet another problem for the forgery theory[§11].

[Above: Two sets of three repeating water stains on the Shroud (e.g. the oval shape between the front and back head images is a water stain as is the diamond shape below the man's chest.): Shroud Scope: Durante 2002 Vertical]

NOTES
1. Ruffin, C.B., 1999, "The Shroud of Turin: The Most Up-To-Date Analysis of All the Facts Regarding the Church's Controversial Relic," Our Sunday Visitor: Huntington IN, pp.11-12. [return]
2. Wilson, I., 1979, "The Shroud of Turin: The Burial Cloth of Jesus Christ?," Image Books: New York NY, Revised edition, p.24. [return]
3. Wilson, 1979, p.25. [return]
4. Wilson, 1979, p.218. [return]
5. Wilson, I., 1986, "The Evidence of the Shroud," Guild Publishing: London, p.2. [return]
6. Wilson, I. & Schwortz, B., 2000, "The Turin Shroud: The Illustrated Evidence," Michael O'Mara Books: London, p.22. [return]
7. Wilson, I., 1998, "The Blood and the Shroud: New Evidence that the World's Most Sacred Relic is Real," Simon & Schuster: New York NY, p.65. [return]
8. Ruffin, 1999, p.67. [return]
9. Wilson, 1979, p.24. [return]
10. Oxley, M., 2010, "The Challenge of the Shroud: History, Science and the Shroud of Turin," AuthorHouse: Milton Keynes UK, p.4. [return]
11. Crispino, D., 1982, "The Report of the Poor Clare Nuns," Shroud Spectrum International, March, p.19.[return]
12. Wilson, 1986, p.2. [return]
13. Rinaldi, P.M., 1978, "The Man in the Shroud," Futura: London, Revised, p.20. [return]
14. Wilson, I., 1998, "The Blood and the Shroud: New Evidence that the World's Most Sacred Relic is Real," Simon & Schuster: New York NY, p.64. [return]
15. Wilson, 1986, p.2. [return]
16. Wilson, 1986, p.2. [return]
17. Wilson, I., 2010, "The Shroud: The 2000-Year-Old Mystery Solved," Bantam Press: London, p.253. [return]
18. Wilson, 1979, p.24. [return]
19. Wilson, 2101, p.14. [return]
20. Wilson, 1979, p.24. [return]
21. Rinaldi, 1978, p.20. [return]
22. Wilson, 1979, p.24. [return]
23. Wilson, 1986, p.2. [return]
24. Wilson, 1998, pp.22-23. [return]
25. Wilson, 1979, p.24. [return]
26. Moretto, G., 1999, "The Shroud: A Guide," Paulist Press: Mahwah NJ, p.19. [return]
27. Culliton, B.J., 1978, "The Mystery of the Shroud of Turin Challenges 20th-Century Science," Science, Vol. 201, 21 July, p.236. [return]
28. Wilson, 1991, p.176. [return]
29. Antonacci, M., 2000, "Resurrection of the Shroud: New Scientific, Medical, and Archeological Evidence," M. Evans & Co: New York NY, pp.48 [return]
30. Antonacci, 2000, pp.48. [return]
31. Antonacci, 2000, pp.73-74. [return]
32. Antonacci, 2000, p.48. [return]
33. Heller, J.H., 1983, "Report on the Shroud of Turin," Houghton Mifflin Co: Boston MA, pp.85-86. [return]
34. Wilson, 1979, p.24. [return]
35. Wilson, 1979, p.24. [return]
36. Wilson, 1979, p.24. [return]
37. Wilson, 2010, p.15. [return]
38. Wilson, 2010, pp.14-15. [return]
39. Rinaldi, 1978, p.2. [return]
40. Scavone, D.C., 1989, "The Shroud of Turin: Opposing Viewpoints," Greenhaven Press: San Diego CA, pp.60-61. [return]
41. Antonacci, 2000, p.48. [return]
§10, §11. To be further examined under "9. Problems of the forgery theory". [return]


Continued in part 13, "2.6. The other marks (2): Poker holes."

Last updated: 15 July, 2013.

Sunday, February 17, 2013

The Shroud of Turin: 2.5. The bloodstains

This is part 11, "2.5. The bloodstains" in my series, The Shroud of Turin My previous post in this series was part 10, "2.4. The wounds." See the Contents page (part 1) for more information.


THE SHROUD OF TURIN
2. WHAT IS THE SHROUD OF TURIN?
2.5. THE BLOODSTAINS
© Stephen E. Jones

Bloodstains. The Shroud has major bloodstains on the head (front and back)[1], the wrists[2], the right side[3], the small of the back[4] and the feet [5].

[Above (click to enlarge): Blood (red) on the Shroud face in fluorescent light[6].]

Blood. Many different chemical[7] and physical[8] tests have confirmed that the bloodstains on the Shroud are real blood[9]. Other tests have confirmed the blood is type AB[10], which is more frequent in Jewish people[11]. Fragments of human[12], male[13] DNA have been identified in samples from the bloodstains[14]. The bloodflows are anatomically[15] and scientifically accurate[16]. The bloodstains have serum haloes at their margins, due to the blood retracting as it dries, leaving a border of clear serum behind[17]. But since blood serum haloes are visible only in ultraviolet light[18] and ultraviolet light was first discovered in 1801 by Johann Wilhelm Ritter, no artist before the 19th century could have depicted them[19]. So this is another major problem for the forgery theory[§5]. Unlike the Shroud's image, the bloodstains are not photographically negative[20], being white on a negative of a photograph of the Shroud[21]. That the blood appears too reddish[22], unlike the brown or black of other old blood[23], is explained by the high level of bilirubin in the blood of a crucifixion victim[24]. There is no body

[Above (click to enlarge): Photomicrograph of blood particles adhering to the Shroud's linen fibres[25].]

image under the bloodstains[26], which means that the blood was on the Shroud before the image was formed on it[27]. This would be the case if the image was Jesus' and was formed by His resurrection [28]. This is another major problem for the forgery theory[§6], firstly because there is no known example of any medieval artist painting with blood[29]. And secondly the forger would have had to apply the blood first and then create the image around it[30, §7], which is the reverse of how an artist would have worked[31] and in fact all modern attempts to replicate the Shroud using blood create the image first and then apply the blood[32]. The blood clots are intact[33], not broken as they would be if the body and cloth they jointly adhered to became separated naturally[34]. This is a problem for all naturalistic theories of the formation of the Shroud's image[35].

Head. The scalp, both front and back[36], has a number of bloodstains from puncture wounds[37] corresponding to a cap of thorns[38]. These scalp bloodstains[39] and nose blood and fluid stains [40] are a perfect match of blood and fluid stains on the Sudarium of Oviedo[41] which has been in Spain since the seventh century[42] and therefore is evidence that the 13th-14th century radiocarbon date of the Shroud[43] must be wrong[44]. A blood-

[Above: The face of the Shroud showing bloodflows outlined in red (including one resembling a reversed "3") from puncture wounds in the man's scalp, corresponding to a cap of thorns. Also the bloodstains apparently in the man's hair along the sides of the face and temples were actually on the sides the face and temples of the man's body (see below): Shroudscope: Durante 2002 Vertical: Overlays: Major Bloodstains]

flow from one of the front scalp puncture wounds has trickled down the man's forehead and resembles a reversed "3"[45]. The changes of direction of this bloodflow was presumably caused by furrowing of the man's brow due to spasms of agony"[46]. These scalp puncture wound reveal an understanding to the distinction between arterial and venous blood[47], which was not known at least until 1593 when Andrea Cesalpino first proposed his theory on the circulation of blood[48]. So the medieval painting forgery theory of the Shroud's origin, championed by the late Walter McCrone[49], cannot be correct[§8]. The blood marks in the hair along the sides of the face (see above) are actually on the sides of the face and temples of the man's body[50]. That is those blood marks on the cloth are out of stereoregister with the Shroud's image of the physical face and temples upon which they were[51]. As we shall see in "10. How was the Image Formed?", this is explained by Dr. John Jackson's "Cloth Collapse Theory"[52].

Body. There are over 100 small dumbbell-shaped marks on the man's back, legs and chest[53] from him having been scourged by a Roman flagrum[54] (see "3.3. The man on the Shroud was scourged"). These are so geometrically perfect[55] that by tracing their angles back by goniometry it was found there were two scourgers, one taller than the other[56]. But since the first goniometer was not invented until 1780, this is more evidence against the medieval forgery theory[§9]. On the dorsal image, just below the tops of the right and left shoulders, there are abrasions superimposed over the scourging wounds, meaning they occurred after the scourging, which is consistent with the man carrying on his shoulders a heavy crossbeam[57]. The body has a large bloodstain on its right side[58] (left side on Enrie's positive photographs because of mirror reversal[59]) which corresponds to the thrust of a Roman lance[60] piercing the man's heart[61]. There are clear areas within the bloodstain which indicates the blood was mixed with a clear fluid[62]. This corresponds with the "blood and water" described in John 19:34 as coming out of the body of Jesus when a Roman soldiers pierced his side with a spear to ensure He was dead[63]. At the small of the man's back there is large bloodstain which is evidently pooled blood from the lance wound[64]. Most of the bloodstains on the Shroud are from blood which flowed while the man was still alive[65], but the bloodflow from the lance wound in the man's right side is post-mortem[66], i.e. it flowed onto the Shroud after the man's death[67].

Arms and hands. The images of the upper arms have largely been destroyed[68] by a fire in 1532[69] which caused molten silver from the Shroud's container[70] to drip onto a corner of the then folded in forty-eight cloth, burning a single large hole through all its layers[71]. However the forearm images were not affected and show

[Above: Arms and hands of the man on the Shroud, showing two different angled pairs of bloodstains along the forearms[72]. And also a bloodstain evidently from a nail wound in the left wrist[73], which is crossed over the right wrist[74], but a similar nail wound in the hidden right wrist can be inferred from the identical pattern of bloodstains along the right arm as along the left arm[75]. Note also the large bloodstain in the right ribcage[76] from a Roman lance[77]: Shroudscope: Durante 2002 Vertical]

bloodstains along their length[78]. The forearm bloodstains evidently came from the nail wounds in the wrists[79]. The blood has flowed along and off the forearms in two distinct angles about 10 degrees apart[80]. From this it can be deduced that the arms must have been raised at between 55 and 65 degrees from the vertical [81]. This corresponds to a crucifixion victim pushing himself up against the nail through his feet[82] to breath and then slumping down again due to the agony it produced[83] and the bloodflows from the nails in his hands following the course of gravity in each position[84].

Legs and feet. As with the man's chest and back, there are numerous small bloodstains on the man's buttocks and legs from him having been scourged by a Roman flagrum[85]. There are bloodstains around both feet[86], consistent with a large Roman nail having been driven through each of them[87]. But there is a clearer image of the right foot[88], presumably because the left foot was nailed over the right foot[89], and rigor mortis prevented the former from being laid out flat against the cloth[90]. As with the lance wound in the man's right side (see above), the bloodflow from the man's right ankle[91] (see below) is post-mortem, i.e. it flowed onto the Shroud when the man's dead body was laid upon it[92].

[Above: Dorsal (upside down) image's feet bloodstains: Shroudscope: Durante 2002 Vertical. The bloodstain lower right is a bloodflow from the wound in the man's right ankle which is post-mortem, i.e. it flowed onto the Shroud after the man's death (see above).

Since the bloodstains mostly correspond to the wounds on the Shroud, see previously "2.4. The wounds". And since the bloodstains on the Shroud correspond to the Gospel's description the suffering and death of Jesus Christ[93] they will be further considered in "3. The Bible and the Shroud."

NOTES
1. Wilson, I., 1979, "The Shroud of Turin: The Burial Cloth of Jesus?," Image Books: New York NY, Revised edition, pp.22-23. [return]
2. Wilson, 1979, p.23. [return]
3. Ibid. [return]
4. Ibid. [return]
5. Wilson, 1979, pp.41-42. [return]
6. Wilson, I. & Miller, V., 1986, "The Evidence of the Shroud," Guild Publishing: London, p.14g. [return]
7. Heller, J.H., 1983, "Report on the Shroud of Turin," Houghton Mifflin Co: Boston MA, pp.215-216. [return]
8. Ibid.return]
9. Heller, 1983, p.216. [return]
10. Wilson, I. & Schwortz, B., "The Turin Shroud: The Illustrated Evidence," Michael O'Mara Books: London, 2000, p.76. [return]
11. Ibid. [return]
12. Ibid. [return]
13. Wilson & Schwortz, 2000, p.78. [return]
14. Wilson & Schwortz, 2000, p.76. [return]
15. Wilson, 1979, pp.34-35[return]
16. Wilson, 1979, p.36. [return]
17. Antonacci, M., 2000, "Resurrection of the Shroud: New Scientific, Medical, and Archeological Evidence," M. Evans & Co: New York NY, pp.26-27. [return]
18. Antonacci, 2000, p.27. [return]
19. Ibid. [return]
20. Wilson, 1979, pp.29-30. [return]
21. Wilson, 1979, p.30. [return]
22. Wilson, 1979, p.23. [return]
23. Ibid. [return]
24. Wilson, I., 1998, "The Blood and the Shroud: New Evidence that the World's Most Sacred Relic is Real," Simon & Schuster: New York NY, pp.88-89[return]
25. Wilson & Schwortz, 2000, p.75. [return]
26. Wilson, 1998, p.89. [return]
27. Ibid. [return]
28. Wilson, 1979, p.251. [return]
29. Lavoie, G.R., 2000, "Resurrected: Tangible Evidence That Jesus Rose from the Dead," Thomas More: Allen TX, p.73-74. [return]
30. Wilson, 1998, p.89. [return]
31. Ibid. [return]
32. Wilson, I., 2010, "The Shroud: The 2000-Year-Old Mystery Solved," Bantam Press: London, p.29. [return]
33. Stevenson, K.E. & Habermas, G.R., "Verdict on the Shroud: Evidence for the Death and Resurrection of Jesus Christ," Servant Books: Ann Arbor MI, 1981, p.157. [return]
34. Stevenson & Habermas, 1981, p.157. [return]
35. Stevenson & Habermas, 1981, pp.170-171. [return]
36. Wilson, 1979, p.36-37. [return]
37. Ibid. [return]
38. Wilson, 1979, pp.37-38. [return]
39. Guscin, M., 1998, "The Oviedo Cloth," Lutterworth Press: Cambridge UK, pp.30-32. [return]
40. Guscin, 1998, pp.27-29. [return]
41. Guscin, 1998, pp.26-27. [return]
42. Guscin, 1998, pp.11-18. [return]
43. Damon, P.E., et al., 1989, "Radiocarbon Dating of the Shroud of Turin," Nature, Vol. 337, 16 February, pp.611-615. [return]
44. Guscin, 1998, pp.64-65. [return]
45. Wilson, 1979, p.37. [return]
46. Ibid. [return]
47. Tribbe, F.C., 2006, "Portrait of Jesus: The Illustrated Story of the Shroud of Turin," Paragon House Publishers: St. Paul MN, Second edition, p.99. [return]
48. Ibid. [return]
49. McCrone, W.C., 1999, "Judgment Day for the Shroud of Turin," Prometheus Books: Amherst NY, p.1. [return]
50. Lavoie, 2000, pp.114-115. [return]
51. Adler, A.D., "The Shroud Fabric and the Body Image: Chemical and Physical Characteristics," in Scannerini, S. & Savarino, P., eds, "The Turin Shroud: Past, Present and Future," International scientific symposium, Turin, 2-5 March 2000," Effatà: Cantalupa, 2000, pp.51,59. [return]
52. Jackson, J.P., "An Unconventional Hypothesis to Explain all Image Characteristics Found on the Shroud Image," in Berard, A., ed., 1991, "History, Science, Theology and the Shroud," Symposium Proceedings, St. Louis Missouri, June 22-23, 1991, The Man in the Shroud Committee of Amarillo, Texas: Amarillo TX, pp.325-344. [return]
53. Wilson, 1979, p.37. [return]
54. Wilson, 1979, pp.47-48. [return]
55. Wilson & Miller, 1986, p.20. [return]
56. Wilson, 1979, p.38 [return]
57. Wilson, 1979, pp.38-39. [return]
58. Wilson, 1979, p.43. [return]
59. Ibid. [return]
60. Wilson, 1979, pp.48-49. [return]
61. Wilson, 1979, p.44. [return]
62. Wilson, 1979, p.43. [return]
63. Wilson, 1979, p.44. [return]
64. Wilson, 1979, p.43. [return]
65. Wilson & Miller, 1986, p.24. [return]
66. Wilson & Miller, 1986, p.26. [return]
67. Wilson, 1979, p.44. [return]
68. Wilson, 1998, p.23 [return]
69. Ibid. [return]
70. Wilson, 1979, p.24. [return]
71. Ibid. [return]
72. Wilson, 1979, pp.39-40. [return]
73. Wilson, 1979, p.39. [return]
74. Petrosillo, O. & Marinelli, E., 1996, "The Enigma of the Shroud: A Challenge to Science," Scerri, L.J., transl., Publishers Enterprises Group: Malta, p.165. [return]
75. Ibid. [return]
76. Wilson, 1979, p.43. [return]
77. Wilson, 1979, pp.48-49. [return]
78. Wilson, 1979, pp.39-40. [return]
79. Wilson, 1979, p.39. [return]
80. Wilson, 1979, pp.39-40. [return]
81. Wilson, 1979, p.40. [return]
82. Ibid. [return]
83. Ibid. [return]
84. Wilson, 1979, p.36. [return]
85. Wilson, 1998, pp.31-32. [return]
86. Wilson, 1979, pp.41-42. [return]
87. Tribbe, 2006, p.96. [return]
88. Wilson, 1979, p.42. [return]
89. Wilson, 1979, pp.41-42. [return]
90. Wilson, 2010, p.291 [return]
91. Wilson, 1979, pp.73-74. [return]
92. Wilson, 1979, pp.73-74. [return]
93. Wilson, 1979, p.36. [return]
§5, §6, §7, §8, §9. To be further examined under "9. Problems of the forgery theory". [return]


Continued in part 12, "2.6. The other marks (1)."

Last updated: 15 July, 2013.

Thursday, January 24, 2013

False malware warning

I just now (9 February 2013) entered theshroudofturin.blogspot.com into Google Chrome and the false malware message no longer appears.

I have just been told that this blog gives the following malware warning (click to enlarge) to visitors using Google Chrome and the old http://theshroudofturin.blogspot.com address (i.e. without the ".au" suffix):

As I explained to the person who kindly warned me of the problem:

I have up-to-date virus protection, I am averaging 68 visits a day, including 17 in the last hour, and no one else has told me my page is infected. I can look at the HTML source code and there is nothing that I haven't written. So I assume ... has received a false positive virus message.

But on further checking I found that when I entered the old http://theshroudofturin.blogspot.com (without the ".au" suffix) address into Google Chrome only, I too received the above warning. It does not appear in Internet Explorer or Firefox even when I use the old http://theshroudofturin.blogspot.com address. And it does not appear in Google Chrome, Internet Explorer or Firefox when I use the new ".au" suffix address: http://theshroudofturin.blogspot.com.au.

So I assume it is a false positive malware message. But because it will deter visitors using Google Chrome and the old address accessing this blog, I have sent the following feedback to Blogger Support:


Blogger Support

When my The Shroud of Turin blog http://theshroudofturin.blogspot.com.au/ is accessed via Google Chrome using its old address http://theshroudofturin.blogspot.com a malware message is displayed that my blog has been infected with malware inserted by www*sanfrancisco*sentinel*com ["."s replaced by "*"s]. The malware message does not appear in Google Chrome, Internet Explore or Mozilla Firefox when the when the new ".au" address http://theshroudofturin.blogspot.com.au/ is used. And it doesn't appear in Internet Explore or Mozilla Firefox when the when the old ".com" address is used. So it seems to be a particular problem of accessing my blog's old http://theshroudofturin.blogspot.com [address] using Google Chrome. Can you please investigate and fix the problem? Thanks.

Stephen E. Jones


PS: I haven't heard back from Blogger Support. But I have since thought of another reason why Google Chrome's warning message:

Content from www*sanfrancisco*sentinel*com, a known malware distributor, has been inserted into this web page. Visiting this page now is very likely to infect your computer with malware.
must be wrong. I have not edited this blog's template for many years, so a malware virus would have to be able to breach Blogger's security to infect it. This morning I looked at this blog's underlying template, which said it had not been updated since 2004, and a search on "sentinel" in it drew a blank. So again it sounds like a Google Chrome issue, and nothing to do with my blog.

PPS: By chance I found one of my blog posts had a reference to sanfrancisco*sentinel*com ["."s replaced by "*"s]. I have deleted that name in the hope that it was the name of that site that Google Chrome was reacting to.

Stephen E. Jones

Friday, January 11, 2013

The Shroud of Turin: 2.4. The wounds

Here, belatedly, is part 10, "2.4. The wounds" in my series, The Shroud of Turin My previous post in this series was part 9, "2.3. The man on the Shroud ." See the series' part 1, Contents for more information about this series.


THE SHROUD OF TURIN
2. WHAT IS THE SHROUD OF TURIN?
2.4. THE WOUNDS
© Stephen E. Jones

Wounds. The man on the Shroud has numerous wounds [1], to

[Above: The wounds, bloodstains and other marks on the Shroud of Turin[2]]

his head (front and back)[3] and his face[4]; his body (front and back)[5]; his arms[6] and hands[7]; and his legs[8] and feet[9].

As will be seen, both the wounds[10] and the bloodstains[11] have an anatomical[12], scientific[13] and historical [14] accuracy which was unknown in the 14th century[15], and therefore represent yet another major problem of the forgery theory[16, §3].

Head and face. The man's scalp, front and back[17], has numerous puncture wounds[18] which correspond to a crown, or rather cap, of thorns[19] being thrust over the top of the man's head[20]. These puncture wounds match those on the Sudarium of Oviedo[21 ] which has been in Spain since the seventh century[22]. This is evidence that the 13th-14th century radiocarbon date of the Shroud[23] is wrong[24] and is another major problem for the forgery theory[25, §4]. His face has been severely beaten[26] with a broken nose[27, 28], and swelling of both eyebrows, below his right eye, nose, left cheek, and left side of his chin [29].

Body. The man's shoulders have abrasions consistent with having carried a Roman crossbeam[30]. His chest and back have over a hundred small dumbbell shaped

[Left: A Roman flagrum from Herculaneum (modern Ercolano) near Pompeii[31]]

wounds[32] which correspond to the pieces of metal[33] attached to the three thongs of a Roman whip called a flagrum[34]. On his right side[35], just below his heart[36] there is a large wound which corresponds to a thrust of a Roman lance[37].


Arms and hands. The man has a wound at the wrist of his left hand consistent with a large nail having been driven through it[38]. Unlike traditional depictions of Christ with nails in the palms of his hands[39], the Shroud is scientifically[40] and historically[41] accurate because nails through ithe palms cannot support a man's body[42]. The man's left hand is crossed over his right[43] so any nail wound in his right hand cannot be seen[44].

Legs and feet. The man's knees have lacerations[45] consistent with the man having fallen to his knees on hard ground or paving[46]. The back of his calves and front of his thighs also have numerous dumbbell shaped wounds[47] from scourging with a Roman flagrum[48]. The right foot only is visible on the Shroud[49] and then only on the dorsal side[50]. It has a wound consistent with a large nail having been driven through it[51]. The left foot is not visible presumably because it was placed over the right foot[52], and the two feet affixed to the cross by a single nail[53]. Then rigor mortis would prevent the feet being laid out flat on the cloth[54].

Most of these wounds are accompanied with bloodstains[55] which will be considered separately in part 11, "2.4. The bloodstains." The wounds correspond with the Gospel's description the suffering and death of Jesus Christ[56] and will be further considered in "3. The Bible and the Shroud."

NOTES
1. Wilson, I., 1979, "The Shroud of Turin: The Burial Cloth of Jesus?," Image Books: New York NY, Revised edition, p.21. [return]
2. Brooks, E.H., II., Miller, V.D. & Schwortz, B.M., 1981, "The Turin Shroud: Contemporary Insights to an Ancient Paradox," Worldwide Exhibition: Chicago IL, p.13. [return]
3. Wilson, I. & Miller, V., 1986, "The Evidence of the Shroud," Guild Publishing: London, pp.17,20.[return]
4. Wilson & Miller, 1986, p.17. [return]
5. Wilson & Miller, 1986, p.20. [return]
6. Wilson & Miller, 1986, p.22. [return]
7. Wilson & Miller, 1986, p.22-23. [return]
8. Wilson & Miller, 1986, p.20. [return]
9. Wilson & Miller, 1986, p.24. [return]
10. Wilson & Miller, 1986, pp.26,29. [return
11. Wilson & Miller, 1986, p.29. [return]
12. Wilson, 1979, p.32. [return]
13. Wilson, 1979, p.36. [return]
14. Wilson, I., 1998, "The Blood and the Shroud," Simon & Schuster: New York NY, pp.43-48)[return]
15.Wilson, 1998, p.9 [return]
16. Wilson, 1979, p.41. [return]
17. Wilson, 1979, pp.36-37. [return]
18. Wilson, 1979, p.36. [return]
19. Wilson, 1979, p.37. [return]
20. Barbet, P., 1953, "A Doctor at Calvary," Earl of Wicklow, transl., Image Books: Garden City NY, Reprinted, 1963, pp.93-94. [return]
21 . Guscin, M., 1998, "The Oviedo Cloth," Lutterworth Press: Cambridge UK, pp.30,32. [return]
22. Guscin, 1998, pp.13-17. [return]
23. Damon, P.E., et al., "Radiocarbon Dating of the Shroud of Turin," Nature, Vol. 337, 16 February, 1989, pp.611-615. [return]
24. Adler, A.D., 1998, "Concerning the Side Strip on the Shroud of Turin," in Adler, A.D. & Crispino, D., ed., "The Orphaned Manuscript: A Gathering of Publications on the Shroud of Turin," Effatà Editrice: Cantalupa, Italy, 2002, pp.89-90. [return]
25. Guscin, 1998, pp.84-87. [return]
26. Antonacci, M., 2000, "Resurrection of the Shroud: New Scientific, Medical, and Archeological Evidence," M. Evans & Co: New York NY, p.32. [return]
27. Zugibe, F.T., 1988, "The Cross and the Shroud: A Medical Enquiry into the Crucifixion," Paragon House: New York NY, Revised edition, p.28. [return]
28. That is, the nasal cartilage has separated from the bone (Heller, J.H., 1983, "Report on the Shroud of Turin," Houghton Mifflin Co: Boston MA, pp.2-3). [return]
29. Wilson, 1979, p.36. [return]
30. Wilson, 1979, pp.38-39. [return]
31. Wilson, I. & Schwortz, B., 2000, "The Turin Shroud: The Illustrated Evidence," Michael O'Mara Books: London, p.56. [return]
32. Wilson, 1979, p.38. [return]
33. Wilson, 1979, p.38. [return]
34. Wilson, 1979, pp.47-48. [return]
35. Wilson, 1979, p.30. [return]
36. Barbet, 1953, pp.137-138. [return]
37. Wilson, 1979, pp.48-49. [return]
38. Wilson, 1979, pp.40-41. [return]
39. Wilson, 1979, p.40. [return]
40. Wilson, 1979, pp.40-41. [return]
41. Wilson, 1998, pp.44-48. [return]
42. Wilson & Miller, 1986, pp.22-23. [return]
43. Petrosillo, O. & Marinelli, E., 1996, "The Enigma of the Shroud: A Challenge to Science," Scerri, L.J., transl., Publishers Enterprises Group: Malta, p.165. [return]
44. Petrosillo & Marinelli, 1996, p.165. [return]
45. Wilson, 1979, p.39. [return]
46. Wilson, 1998, p.33. [return]
47. Wilson, 1979, p.38. [return]
48. Wilson, 1986, p.20. [return]
49. Wilson, 1979, p.42. [return]
50. Wilson, 1979, p.22. [return]
51. Wilson, 1986, p.24. [return]
52. Wilson, 1979, pp.41-42. [return]
53. Wilson, 1979, p.42. [return]
54. Antonacci, 2000, p.32. [return]
55. Wilson, 1979, p.36. return]
56. Wilson, 1979, p.36. [return]
§3, §4. To be further examined under "9. Problems of the forgery theory". [return]


To be continued in part 11, "2.5. The bloodstains."

Last updated: 15 July, 2013.

Thursday, November 22, 2012

The Shroud of Turin: 2.3. The man on the Shroud

The following is part 9, "2.3. The man on the Shroud" in my series, The Shroud of Turin The previous post in this series was part 8, "2.2. The Shroud's location " and the series' first post was part 1, the Contents page. See that page for more information about this series .


THE SHROUD OF TURIN
2. WHAT IS THE SHROUD OF TURIN?
2.3. THE MAN ON THE SHROUD
© Stephen E. Jones

Image of a man. As we saw in part 3, "1.1 Overview of the Shroud of Turin", the Shroud bears the faint[1] double image[2], front and back[3], head to head[4] of a naked[5], bearded[6], muscular[7], tall[8], man [9].

Frontal image. On the frontal image the man's hands are crossed over his pelvis[10], covering his genitals[11].

[Right (click to enlarge): The frontal image on the Shroud[12]. For the full image, see part 3]

Wounds and bloodstains. He has wounds[13] and bloodstains[14] which match the Gospels' description[15] of the beating[16], crowning with thorns[17], flogging[18], carrying a cross[19], crucifixion[20], death[21], legs not broken[22], speared in the side[23], wrapped in a linen shroud[24], burial[25] and resurrection[26] of Jesus Christ[27].

Dorsal image The dorsal or back image of the man on the Shroud shows multiple puncture wounds to the back of the head, evidently caused by a crown, or

[Left (click to enlarge): The dorsal (back) image on the Shroud[28].

rather cap of thorns[29]; over 100 small dumbbell shaped indentation wounds which correspond to those inflicted by a Roman flagrum on the back and legs[30], pooling of blood in the small of the back[31]. Only the image of the sole of the right foot is visible[32] and from it there is a blood flow evidently from a nail wound[33]. There is also dirt adhering to the footprint[34], which as we shall later see is very significant.

This will all be covered in more detail in "2.4. The wounds," "2.5. The bloodstains" and "3. The Bible and the Shroud."

NOTES
1. Wilson, I., 1979, "The Shroud of Turin: The Burial Cloth of Jesus?," Image Books: New York NY, Revised edition, p.21. [return]
2. Wilson, 1979, p.21. [return]
3. Antonacci, M., 2000, "The Resurrection of the Shroud: New Scientific, Medical, and Archeological Evidence," M. Evans & Co: New York NY, p.1. [return]
4. Wilson, I. & Schwortz, B. , 2000, "The Turin Shroud: The Illustrated Evidence," Michael O'Mara Books: London, 2000, p.18). [return]
5. Drews, R., 1984, "In Search of the Shroud of Turin: New Light on Its History and Origins," Rowman & Littlefield: Lanham MD, p.11. [return]
6. Guerrera, V., 2000, "The Shroud of Turin: A Case for Authenticity," TAN: Rockford IL, p.1. [return]
7. Wilson, 1979, p.21. [return]
8. About 181 cms or 5 ft 11 in. (Wilson, 1979, p.35). [return]
9. Wilson, 1979, p.21. [return]
10. Heller, J.H., 1983, "Report on the Shroud of Turin," Houghton Mifflin Co: Boston MA, p.vii. [return]
11. Wilson, I., 1998, "The Blood and the Shroud: New Evidence that the World's Most Sacred Relic is Real," Simon & Schuster: New York NY, p.56. [return]
12. Latendresse, M., 2010, ShroudScope: Durante 2002. [return]
13. Stevenson, K.E. & Habermas, G.R., 1981, "Verdict on the Shroud: Evidence for the Death and Resurrection of Jesus Christ," Servant Books: Ann Arbor MI, p.4. [return]
14. Iannone, J.C., 1998, "The Mystery of the Shroud of Turin: New Scientific Evidence," St Pauls: Staten Island NY, pp.2-3. [return]
15. Stevenson, K.E. & Habermas, G.R., 1990, "The Shroud and the Controversy," Thomas Nelson Publishers: Nashville TN, pp.84-88. [return]
16. Mt 27:30; Mk 15:19; Lk 22:63-64; Jn 19:3. Stevenson & Habermas, 1990, p.86. [return]
17. Mt 27:29; Mk 15:17-20; Jn 19:2. Stevenson & Habermas, 1981, p.122. [return]
18. Mt 27:28-29; Mk 15:17-18; Jn 19:2. Stevenson & Habermas, TN, 1990, pp.84-85. [return]
19. Jn 19:17; Mt 27:32; Mk 15:21; Lk 23:26. Stevenson & Habermas, 1990, p.86. [return]
20. Lk 24:39-40; Jn 20:20,25-27; Col 2:14. Guerrera, 2000, p.39. [return]
21. Mt 27:50; Mk 15:37; Lk 23:46; Jn 19:30. Stevenson & Habermas, 1990, p.87. [return]
22. Jn 19:30-33. Antonacci, 2000, p.120. [return]
23. Jn 19:34-35. Stevenson & Habermas, 1990, p.87. [return]
24. Mt 27:59; Mk 15:46; Lk 23:53; Jn 19:40. Guerrera, 2000, p.37. [return]
25. Mt 27:59-60; Mk 15:46; Lk 23:52-53; Jn 19:41-42. Stevenson & Habermas, 1990, pp.87-88. [return]
26. Mt 28:1-6; Mk 16:1-6; Lk 24:1-7; Jn 20:1-9. Stevenson & Habermas, 1981, p.156. [return]
27. Stevenson & Habermas, 1990, pp.83-99. [return]
28. Latendresse, 2010. [return]
29. Wilson, 1979, pp.36-37. [return]
30. Wilson, 1979, p.38. [return]
31. Wilson, I., 1986, "The Evidence of the Shroud," Guild Publishing: London, p.26. [return]
32. Wilson, 1979, pp.41-42. [return]
34. Wilson & Schwortz, 2000, p.93. [return]


To be continued in part 10, "2.4. The wounds".

Last updated: 27 February, 2013.

Monday, November 5, 2012

The Shroud of Turin: 2.2. The Shroud's location

This is part 8, "2.2. The Shroud's location" in my series, The Shroud of Jesus? The previous page was part 7, "2.1. A linen sheet " See part 1, the main Contents page, for more information about this series .


THE SHROUD OF TURIN
2. WHAT IS THE SHROUD OF TURIN?
2.2. THE SHROUD'S LOCATION
© Stephen E. Jones

1578 Turin Cathedral. Since 1578[1], over 400 years, except for comparatively brief periods in times of war[2], and fire (see below), the Shroud has been located in or around St. John the Baptist Cathedral, Turin, Italy.

[Above (click to enlarge): Belltower, Church and Chapel of the Holy Shroud, Cathedral of Saint John the Baptist (Cattedrale di San Giovanni Battista). The Chapel of the Holy Shroud, which was for nearly 300 years (1694-1993), the resting place of the Shroud of Turin, was added to the structure in 1668-1694[3].]

1694 Royal Chapel. In 1694 the Shroud was moved into a purpose-built Chapel of the Holy Shroud (Capella della Santa Sindone), or Royal Chapel, between the Cathedral and the Savoy Royal Palace, designed by the Italian architect Guarino Guarini (1624-1683)[4].

[Above (click to enlarge): Interior of the Chapel of the Holy Shroud before it was closed for repair in 1990[5].

1993 Turin Cathedral. In 1990, the Guarini Chapel had to be closed because of large lumps of stone falling from its dome[6]. A bulletproof laminated

[Right: The Shroud's casket, in its bulletproof glass display case, behind the high altar of Turin Cathedral, between 1993 and the 1997 fire[7].]

glass display case was constructed for the Shroud in the Cathedral, behind the high altar, and in 1993 the Shroud, still in its 17th century silvered wooden casket, was installed into its new home[8].

1997 fire. On the night of 11 April, 1997, a major fire gutted the Royal Chapel, part of the Cathedral and the adjoining Royal Palace[9]. But for the heroic action of a fireman, Mario Trematore, who ignoring the extreme risk to his own life, broke into the Shroud's laminated glass case with his fireman's axe, and dragged the Shroud's container to safety, the Shroud would almost certainly have been destroyed[10].

[Above: Fire engulfs the Royal Chapel and Turin Cathedral on the night of 11 April, 1997.[11]

1997-98 Archbishop of Turin's residence. The Shroud in its container was taken under cover of darkness to the residence of the then Archbishop of Turin, the late Cardinal Giovanni Saldarini (1924-2011), and when opened the Shroud was found to be undamaged.[12] Because there were indications that the fire was deliberately lit[13], the Shroud's location was kept secret until 1998[14].

1998-2005 Turin Cathedral. For the 1998 exhibition, the Shroud was displayed in Turin Cathedral with a steel wall behind it to hide the fire damage to the Chapel behind it, and upon the wall was painted a trompe l'oeil (illusory perspective) scene of how the interior of the Chapel would have looked in the 1820s[15].

[Above: The Shroud (behind the curtains) in Turin Cathedral from 1998. On display is a photograph of the Shroud[16].]

For the 1998 exposition a 4.6 x 1.4 m [17], fire-proof[18], glass-fronted, conservation case was constructed in which the Shroud could be permanently stored flat in a primarily inert argon atmosphere where no microorganisms can live to attack it.[19] The glass is 6 cms thick and bullet-proof and the container is air-conditioned to maintain optimum levels of temperature and humidity.[20] The case can be tilted ninety degrees when the Shroud is on public display.[21]

[Above: The Shroud in its high-technology conservation container is prayed over by the present Archbishop of Turin, Severino Poletto (1933-)[22].]

2005 Turin Cathedral. In 2005[23], the Shroud, inside its case, was installed

[Left: Floor plan of Turin Cathedral showing the Shroud's present location since 2005, in a side chapel in the left transept of the Cathedral[24].]

in its new permanent reliquary (see below), in a side chapel in the north (left) transept of Turin Cathedral[25].

[Above (click to enlarge): The Shroud's reliquary, its current resting place, in a side chapel of Turin Cathedral[26].]

NOTES
1. Wilson, I., 1979, "The Shroud of Turin: The Burial Cloth of Jesus?," [1978], Image Books: New York NY, Revised edition, pp.220. [return]
2. In 1706 a French army besieged Turin, but the Shroud had as a precaution been quietly moved to the north coastal Italian city of Genoa for its safety. Then in World War II, the Shroud was secretly moved to a monastery in the southern Italian province of Avellino for seven years from 1939 to 1946. (Wilson, I., 2010, "The Shroud: The 2000-Year-Old Mystery Solved," Bantam Press: London, pp.271,274). [return]
3. "Turin Cathedral," Wikipedia, 5 September 2012). [return]
4. Wilson, I., 1998, "The Blood and the Shroud: New Evidence that the World's Most Sacred Relic is Real," Simon & Schuster: New York NY, p.112. [return]
5. Wilson, I. & Schwortz, B., 2000, "The Turin Shroud: The Illustrated Evidence," Michael O'Mara Books: London, p.17. [return]
6. Wilson, 2010, p.282. [return]
7. Wilson, 2010, p.282. [return]
8. Wilson, 2010, p.282. [return]
9. "The 1997 Fire," Shroud.com, April, 1997. [return]
10. Wilson, 1998, p.2. [return]
11. Wilson, 2010, p.274H[return]
12. Wilson, 1998, p.2. [return]
13. Wilson, 1998, p.2. [return]
14. Wilson, 2010, p.283. [return]
15. Wilson, 2010, pp.283-284. [return]
16. Wilson & Schwortz, 2000, p.ii. [return]
17. Whiting, B., "The Shroud Story," Harbour Publishing: Strathfield NSW, Australia, p.177. [return]
18. de Wesselow, T., 2012, "The Sign: The Shroud of Turin and the Secret of the Resurrection," Viking: London, p.350. [return]
19. Wilson, 2010, p.284. [return]
20. "From Turin: Revealed: The Shroud's New Home," British Society of the Turin Shroud Newsletter, No. 49, June 1999. [return]
21. Wilson, 2010, p.284. [return]
22. Wilson, 2010, p.82A. [return]
23. Schwortz, B., "2005 Website News," Shroud.com. [return]
24. "News 2000," Collegamento pro Sindone. [return]
25. de Wesselow, 2012, p.350. [return]
26. Schwortz, 2005. [return]


Continued in part 9, "2.3. The man on the Shroud".

Last updated: 10 June, 2015.

Wednesday, October 31, 2012

The Shroud of Turin: 2.1. A linen sheet

Here is part 7, "2.1. A linen sheet" in my series, The Shroud of Turin The previous page was part 6, "2. What is the Shroud of Turin?" See part 1, the main Contents page, for more information about this series .


THE SHROUD OF TURIN
2. WHAT IS THE SHROUD OF TURIN?
2.1. A LINEN SHEET
© Stephen E. Jones

Dimensions. As previously mentioned , the Shroud of Turin is a rectangular sheet of fine linen[1], yellowed with age[2], 4.4 long by 1.1 metres wide[3] or 14 feet 3 inches by 3 feet 7 inches[4]. These unusual dimensions correspond very closely to 8 by 2 Assyrian cubits of 21.4 inches[5], which was the standard Jewish cubit in Jesus' day[6]. So even the dimensions of the Shroud are a major problem for the forgery theory[§1] of the Shroud's origin![7]!

[Above (enlarge): The Shroud laid out flat, presumably after the 2002 restoration]

Side strip. The Shroud is a single cloth apart from a strip about 8 cms (3½ inches) wide along its left-hand side (looking at the Shroud with its frontal image in the lower half and upright) and joined by a single seam[8]. The strip is incomplete at its ends, with 14 cms (5½ inches) and 36 cms (14 inches) missing at the bottom and top left hand corners respectively[9]. This side strip is made from the same piece of cloth as the Shroud, since unique irregularities in the weave of the main body of the Shroud extend across the side strip[10]. The outer long edges of the main body of the Shroud and the side strip have a selvedge, a weaver-finished edge[11]. This indicates that the Shroud was originally woven on a wide loom, and the side strip was cut lengthwise and joined to the main body of the Shroud to give it a selvedge on both long edges[12]. Weaving on extra-wide looms is known from antiquity, particularly in ancient Egypt, but it is not known from the Middle Ages[13]. Moreover, the hand-stitching of the seam joining the two inner edges of the side strip and the main Shroud is known only from textiles excavated from the first-century Jewish fortress at Masada, near the Dead Sea[14]. This is more evidence for Shroud's authenticity and further problems for the forgery theory[§2].

[Above (enlarge): Side strip (left) and seam (centre) near the bottom right hand (i.e. frontal image feet end) corner of the Shroud: ShroudScope]

[Above (enlarge): "How the shroud was originally woven much wider than its present width. Reconstruction of the likely size of the bolt of cloth of which the two lengths of the Shroud (shaded) formed part. This wider cloth was very expertly cut lengthwise, then the raw (i.e. non-selvedge) edges of the shaded segments joined together by a very professional seam to form the Shroud we know today."[15]]

Weave. The cloth's weave is known as "3 to 1 twill" because each transversal weft thread passes alternatively over three and under one of the longitudinal warp threads[16]. This gives the weave the appearance of diagonal lines which reverse direction at regular intervals to create a herringbone pattern[17]. Such complex herringbone three to one twill weaves are known from antiquity, for example, from Egypt and Syria, but they are not known from the Middle Ages.[18]

Yarn. In 1973, textile expert Prof. Gilbert Raes was given four samples from the Shroud's bottom left-hand corner: a 12 mm long weft thread, a 13 mm long warp thread, a 10 x 40 mm piece from the side strip and a 13 x 40 mm piece from the adjacent main Shroud [19] Raes confirmed that the threads and the pieces were linen from common flax plant Linum usitatissium[20]. The flax yarn in the two pieces had what is known as a Z-twist, from the spindle having been rotated clockwise, whereas the yarn in the threads was the more unsual S-twist[21]. Raes also found traces of cotton, of the Middle Eastern species Gossypium herbaceum, in the piece from the main body of the Shroud but not in the piece from the side strip.[22]. This is very significant as we will see when we consider the radiocarbon dating of the Shroud in "6. Science and the Shroud."

NOTES
1. Drews, R., 1984, "In Search of the Shroud of Turin: New Light on Its History and Origins," Rowman & Allanheld: Totowa NJ, p.11; Danin, A., 2010, "Botany of the Shroud: The Story of Floral Images on the Shroud of Turin," Danin Publishing: Jerusalem, Israel, p.7 [return]
2. Antonacci, M., 2000, "The Resurrection of the Shroud: New Scientific, Medical, and Archeological Evidence," M. Evans & Co: New York NY, p.212. [return]
3. The Shroud was precisely measured by textile expert Dr. Flury-Lemberg prior to the 1998 exposition and found to be 437 cm long by 111 cm wide. (British Society for the Turin Shroud Newsletter, No. 51, June 2000 [PDF]). [return]
4. Wilson, I., 1979, "The Shroud of Turin: The Burial Cloth of Jesus?," Image Books: New York NY, Revised edition, p.69. [return]
5. 8 x 21.4 inches = 171.2 inches and 2 x 21.4 inches = 42.8 inches. The Shroud is 172.0 x 43.7 inches. [return]
6. Wilson, I., 1991, "Holy Faces, Secret Places: The Quest for Jesus' True Likeness," Doubleday: London, p.181. [return]
7. Wilson, 1991, p.181. [return]
8. Wilson, 1979, p.21. [return]
9. Petrosillo, O. & Marinelli, E., 1996, "The Enigma of the Shroud: A Challenge to Science," Scerri, L.J., transl., Publishers Enterprises Group: Malta, p.162. [return]
10. Schwalbe, L.A. & Rogers, R.N., 1982, "Physics and Chemistry of the Shroud of Turin: Summary of the 1978 Investigation," Analytica Chimica Acta, Vol. 135, No. 1, p.42. [return]
11. Wilson, I., "The Shroud: The 2000-Year-Old Mystery Solved," Bantam Press: London, 2010, p.72 [return]
12. Wilson, 2010, p.72. [return]
13. Wilson, 2010, pp.74-76. [return]
14. Wilson, 2010, p.72. [return]
15. Wilson, 2010, p.73. Upper case heading reduced. [return]
16. Petrosillo & Marinelli, 1996, p.161. [return]
17. Wilson, 1979, p.69. [return]
18. Wilson, 2010, pp.74-76. [return]
19. Antonacci, 2000, p.98. [return]
20. Sox, H.D., 1981, "The Image on the Shroud: Is the Turin Shroud a Forgery?," Unwin: London, p.74. [return]
21. Wilson, I. & Miller, V., 1986, "The Evidence of the Shroud," Guild Publishing: London, p.36. [return]
22. Wilson, 1979, pp.70-71. [return]
§1, §2. I have created a section "9. Problems of the Forgery Theory" and I will keep a progressively numbered total of all the problems of the forgery theory encountered along the way, so they can all be brought together and discussed in that section.[return]


Continued in part 8, "2.2. The Shroud's location".

Posted 31 October 2012. Updated 4 August 2024.