[Previous: Shroud of Turin News, July - December 2025] [Next: To be advised]
This is the fifteenth instalment of my Shroud of Turin News for January - June 2026.
I have removed Total Pageviews, which stood at 6,604,234, after I realised that I can see on another page what it currently is, and therefore if and when Google corrects it.
Articles will be in date order (oldest first). My comments will be within [bold square brackets] to distinguish them from the articles' words. In this post I will first list the more significant articles, after which I will prune duplications, and then comment on what is left.
My news I had continued most days word-processing Chapter 2, "What is the Shroud of Turin?" In parallel with my Open letter to Nature: "Shroud of Turin: Were the radiocarbon dating laboratories duped by a computer hacker?" Today (3 September) I started word-processing chapter 3, "A linen cloth," having previously completed word-processing chapter 1, "Preface" on 28 July and Chapter 2, "What is the Shroud of Turin?" on 3 September.
"New twist in Turin Shroud mystery as human DNA found on sacred Christian relic," GBN, 4 January 2026, Peter Stevens. "The presence of an "unusually high number of human heteroplasmies" and multiple sources of human DNA confirmed the Shroud of Turin "came into contact with multiple individuals, thereby challenging the possibility of identifying the original DNA of the Shroud"." [There are two reasons why identifying the DNA on the Shroud as Jesus' has never been a shroudie claim: 1. Any human DNA found on the Shroud could have been from one one of the great many humans who had handled the Shroud in its ~2000 year history. As STURP's blood chemist Alan Adler (1931-2000) pointed out:
"In `The DNA of God?' Garza-Valdez makes a large number of extravagant claims, many of them self-contradictory, at odds with accepted Shroud scientific literature, or at odds with basic accepted biochemical, chemical, or physical knowledge. This is illustrated by the DNA claim. The problem with the DNA claim is not that human DNA was isolated, but in identifying whose DNA it is. The Shroud has been contaminated by human contact countless times, offering many problems in this type of analysis."[AA99, 108]And 2. We don't have Jesus' DNA to compare it with! ]
"The DNA from animals including dogs, cats, chicken, and cows, suggest the linen travelled through the Mediterranean or had Mediterranean origins."[However, this is different. DNA of animals from locations which are consistent with the Shroud having "travelled through the Mediterranean" is cconsistent with the Shroud having journeyed from Jerusalem to Constantinople via Antioch in Syria and Edessa in today's Eastern Turkey, from the first to the tenth centuries[04Dec15]. It is not consistent with Shroud scepticism's "Standard Model" (see 11May24). Which is that the Shroud's flax was harvested, retted, spun into linen thread, the thread was then woven on a loom into a linen cloth, all within France[RTB], and then the image was imprinted on the cloth by an unknown forger who lived in the diocese of Troyes, in the time of Bishop Henri de Poitiers (r. 1354–1370)![RTB]. This "Standard Model" was implied by Oxford radiocarbon dating laboratory's Director, Prof. Edward Hall (1924-2001):
"There was a multi-million-pound business in making forgeries during the 14th century. Someone just got a bit of linen, faked it up and flogged it."[WS00, 9 4; HT01; OM10, 220]]
"The Shroud of Turin goes digital: Turin officially opens an ancient
relic to the world in the AI era," ZENIT, 11 January 2026. [Right (enlarge): Pope Leo XIV (r. 2025-) looks at the new online digital Shroud platform.] "On January 9, a quiet but symbolically charged moment unfolded inside the Apostolic Palace. Pope Leo XIV became the first person to experience a new digital reading of the Shroud of Turin [Obviously false!], signaling that one of Christianity’s most scrutinized relics has now fully entered the online world. The initiative, called Avvolti, was presented to the Pope by Cardinal Roberto Repole, the pontifical custodian of the Shroud. The encounter marked a turning point: a relic long associated with guarded exhibitions and careful physical access is now available globally through a dedicated digital platform." [This is underwhelming! The Shroud has been online via Shroud Scope since 2010! Those interested in the Shroud know that, so this "turning point" will likely be ignored. The Vatican is deceived if it thinks that the Shroud being "available globally through a dedicated digital platform" is better than "guarded exhibitions and careful physical access"!]
"The Shroud of Turin enters the digital age," Aleteia, 12 January 2026, D. R. Esparza. "... Accessible via avvolti.org and sindone.org, the program works across smartphones, tablets, and computers. Users can move across a high-resolution reproduction of the cloth, enlarging details associated with the face, the wounds, and the signs traditionally linked to the Passion. "[Immediately there is a problem, Those sites are only in Italian and require a translation, into English and other languages. Many non-Italian readers (including me) could not be bothered with a site, after being confronted with a foreign language.] ... The digital project builds directly on the physical Avvolti installation that drew large crowds during the Jubilee year of 2025. From April 28 to May 5, a tent in Piazza Castello housed a life-size, 1:1 reproduction of the Shroud displayed on a specially designed five-meter table. More than 30,000 visitors from 79 countries passed through in just eight days, confirming that interest in the relic remains both intense and international. [The Vatican's self-deception continues. When the Shroud was last displayed physically in 2015, "From April 19, 2015 through June 24, 2015, more than two million visitors came to Turin from around the world to view the Shroud while it was on public display." (my emphasis)[SX20]. That was over a period of 66 days. That is an average of 30,000/8 = 3,750 per day for the digital exposition, compared with 2,000,000/66 = 30,303 per day for the 2015 physical exposition! So, the physical exposition of the Shroud in 2015 had as many visitors in 1 average day as the digital exhibition had in in 8 actual days! The Vatican is wasting its time and money hoping that a online digital exposition of the Shroud will substitute for a physical expoition of the Shroud. But they miss the point that to see the actual, physical, Shroud is to see the actual, physical, burial sheet of Jesus! Not a mere online photograph of it.]
"AI study blows open Shroud of Turin story and pinpoints strange origins," Irish Mirror, 23 January 2026, Emilia Randall. "A new 3D digital analysis suggests the Turin Shroud was likely created by a medieval artist using a shallow sculpture method, rather than being the actual burial cloth of Jesus Christ ... Michael Moran used AI to reveal more of the cloth's history. In a startling revelation, researchers have employed AI technology to expose a glaring impossibility regarding the Shroud of Turin - long believed to be Christ's burial cloth." [This journalist confuses Michael Moran, who in this 2024 article, "'Face of Jesus' unveiled by AI using Shroud of Turin after astonishing discovery," By Michael Moran, Daily Express, 21 August 2024, is merely a journalist who used Midjourney, an image generation program to generate a so-called image of Jesus. I blogged about this on 25 October 2024, where I commented:"While some may be favourably impressed by this AI depiction of Jesus, I am not. All that this AI program does (and it is admittedly clever programming), is search the Internet for depictions of Jesus based on the Shroud and combine them into one Shroud-like image. I cannot understand why some prefer to have this, the equivalent of an artist's painting of Jesus, when they can actually have a photograph of Jesus at the instant of his
Above: "Shroud of Turin Face Detail," AllPosters.com]
resurrection (a "`snapshot' of the resurrection" ...) which this above Shroud face photograph is, over my computer desk as I type!
The article also confuses, "A new 3D digital analysis suggests the Turin Shroud was likely created by a medieval artist using a shallow sculpture method ... a Brazilian digital graphics specialist ... Cicero Moraes utilised free modelling software ... " which was not AI. I will comment on Moraes's "shallow sculpture method" next. ]
"Shroud of Turin 'impossible' discovery made by AI study," Emilia Randall, 23 January, 2026. [First, as previously mentioned, Moraes' theory that the shroudman's image was created by overlaying the Shroud cloth over a "low relief" (i.e. bas relief ), is not "AI". Here, from my posts of 10Oct25, 06Mar26 and 17Jul26, are some of the problems of Moraes' bas relief Shroud image formation theory theory: • Bishop d'Arcis would be wrong that the Shroud had been "cunningly painted" by an artist who confessed it to his predecessor, Bishop Henri de Poitiers. • As leading Shroud sceptic Walter McCrone (1916-2020) pointed out, a medieval forger would have simply painted the Shroud. • Art based on bas reliefs did not exist in the 14th century. • A bas relief is one-sided, whereas the Shroud image is two-sided: front and back. So a medieval forger transferring a bas relief image to the Shroud cloth would needed to have created two bas reliefs: one for the man's front and one for his back! • Such bas reliefs, engraved with anatomical details unknown in the fourteenth century, would be great works of art in their own right. So where are they; or where is the record of their having existed? • STURP found that there is no paint, pigment or dye which constitutes the Shroud's image, so that rules out a cold transfer of the bas relief image to the Shroud cloth using pigments, etc, as they would inevitably be trapped in the Shroud's weave. • STURP also found that bas-relief shrouds do not reproduce the Shroud's three-dimensional, superficial and non-directional properties. • If the Shroud image was created using heated bas reliefs to scorch the man's image onto the Shroud's linen, he would need to have manipulated a ~4.4 x ~1.1 metre (~14.4 x ~3.6 feet) linen cloth over two bas reliefs, heated at just the right temperature to not burn the cloth, when the only heat source was burning wood, charcoal, coal or oil, because electric heating was not invented until the 19th century. A heat scorch of a cloth draped over a hot bas relief inevitably causes hot spots (e.g. the tip of the nose) on the image, but there are no hot spots on the Shroud image; • Heat scorches fluoresce but the Shroud image does not fluoresce. • The blood was on the Shroud's linen before the image, which also rules out heated bas reliefs which would cook the blood. • If the Shroud was printed on linen laid over two bas relief, then the forger could run off many Shrouds, so why did he stop at one Shroud? • How did the forger obtain a ~4.4 x ~1.1 metre rare and expensive herringbone twill linen cloth, which the Shroud is? Which `just happens' to be close to 8 x 2 Assyrian cubits of 21.6 inches! ]
"Shroud of Turin: Medieval bas-relief hypothesis challenged on scientific grounds," Vatican News 10 February 2026.
"Shroud of Turin: Medieval Bas-Relief Hypothesis Questioned," Exaudi, 10 February, 2026.
"Believers See Jesus’s Face in the Shroud of Turin. A Study Now Says It’s Something Else. It may be no man at all." Popular Mechanics, 11 Febuary 2026, Michael Natale.
"Holy Shroud, medieval painting? The response of three Italian scientists to a Brazilian `researcher'," ZENIT, 11 February 2026, Valentina di Giorgio.
"New twist in battle over whether Turin Shroud is real or medieval fake," The Daily Star, 11 February 2026, Daniel Smith."Shroud of Turin Sculpture Theory Criticised by Experts in Latest Publication," Catholic Connect, 12 February 2026.
Expert debunks controversial evidence that ‘confirms’ existence of Jesus," LADbible", 12 February 2026, Joe Harker."Scientist Says Famous Jesus Relic Doesn’t Add Up," Inquisitr, 13 February 2026, Sohini Sengupta.
"Shroud study debate returns to spotlight," Aleteia, 18 February 2026, D. R. Esparza.
"A 600-Year-Old Document Exposes a Historic Fraud," Popular Mechanics, 17 March 2026, Michael Natale.
"Shroud: The Bas-Relief Hypothesis Definitively Debunked," UCCR, 23 March 2026, Alessandro Piana."The Shroud of Turin bears DNA from many people, plants and animals," New Scientist, 30 March 2026, James Woodford.
"New DNA Analysis Suggests That Shroud Of Turin May Have Indian Origins," NDTV, 31 March 2026, Srishti Singh Sisodia."Surprising DNA analysis reveals where Shroud of Turin may have actually originated," New York Post, 31 March 2026, Ben Cost."Shroud of Turin Mystery Deepens: Scientists Find DNA From ‘Multiple People’," Charisma Magazine, 31 March 2026, James Lasher.
"The mystery of the Shroud of Turin deepens,"Express Newspaper, 31 March 2026.
"Shroud of Turin shock as scientists find new DNA on Jesus 'burial cloth'," Daily Express, 31 March 2026, Emily Wright.
"Twist in Shroud of Turin mystery as scientists find shock new DNA in burial cloth ‘showing imprint of Jesus’," The Sun, 31 March 2026, Jamie Harris.
"New DNA research confirms Shroud of Turin's passage through the Middle East," Vatican News, 1 April 2026."DNA Study Casts Even More Doubt on Shroud of Turin’s True Origin," Gizmodo, 1 April 2026, Gayoung Lee.
"Scientists uncover human, plant, and microbial DNA in the Shroud of Turin," Tech Explorist, 2 April 2026, Pranjal Malewar.
"New Study Reopens the Case of the Turin Shroud’s Origins: what the DNA says," ZENIT, 3 April 2026.
"Shroud of Turin, claimed to be Jesus' burial cloth, contaminated with carrot and red coral DNA," Livescience, 5 April 2026, Chris Simms."Jesus’s Burial Cloth or Medieval Forgery? DNA Evidence Further Complicates the Debate Over the Shroud of Turin," Smithsonian Magazine, 9 April 2026, Sarah Kuta.
"DNA analysis claiming new origins for the Shroud of Turin 
[Above: "A photo-negative view of the Shroud of Turin highlights the image of a bearded man on the shroud ..." Could an unknown medieval forger really have created this? Or does Naturalism's Emperor have no clothes?]
doesn't hold up, experts say," Scientific American, 9 April 2026, Stephanie Pappas.
"Shroud of Turin: DNA Tests Prove It’s A Forgery," Artlyst, 10 April 2026.
To be continued in the sixteenth instalment of this post.
Notes:
1. This post is copyright. I grant permission to extract or quote from any part of it (but not the whole post), provided the extract or quote includes a reference citing my name, its title, its date, and a hyperlink back to this page. [return]
Bibliography
AA99. Adler, A.D., 1999, "The Nature of the Body Images on the Shroud of Turin," in Adler, A.D. & Crispino, D., ed., "The Orphaned Manuscript: A Gathering of Publications on the Shroud of Turin," Effat Editrice: Cantalupa, Italy, 2002, 103-112.
HT01. Hedges, R. & Tite M., 2001, "Obituary: Professor Edward Hall," The Independent, 16 August.
OM10. Oxley, M., 2010, "The Challenge of the Shroud: History, Science and the Shroud of Turin," AuthorHouse: Milton Keynes UK.
RTB. Reference(s) to be provided.
SX20. "Shroud Exhibitions: 2015 Exposition," Shroud.com.
WS00. Wilson, I. & Schwortz, B., 2000, "The Turin Shroud: The Illustrated Evidence," Michael O'Mara Books: London.
Posted 30 August 2026. Updated 18 September 2026.







